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Told You’re Getting a New Manager? What to Do First

Disputing a review, responding to a pay cut, being asked to change your hours, two roles becoming one, the whole team going to a different employer — every one of those has something on the table that is proposed to change about the work. This is the only conversation here where the job, the team, the title and the terms all stand still and the only variable is who you answer to. Three things follow. Because nothing about the work is changing, there’s a vacuum where the proposal would normally sit, and a reading rushes in to fill it — so the most expensive thing this page could tell you is what the change meansabout you, and it won’t: not a sign of confidence, not an investment, not a sidelining, not a demotion in substance, not a prelude to anything. A reporting line is not a person: the instinct is to form a view of the manager you’re leaving or the one you’re getting, and every question that follows from that view is unanswerable and expensive in writing. What’s answerable attaches to the post— who sets your objectives, who prioritises when two people want something, who signs off your time and leave, who writes your review, who you escalate to. And what your last line agreed is the part that quietly doesn’t survive: the pattern nobody wrote down, the course you were promised, the thing agreed in a one-to-one live with a personand not with the post, and they’re lost not by anybody’s decision but by nobody having written them down — so the work here is retrieval and re-recording, never a ruling that they still stand and never a claim that they’re owed. You get what to write down first, the five questions to ask in writing, who can actually answer them, the message at no more than 112 words that argues for nothing, the five things to leave out, the three replies that come back, and four questions this page won’t answer — each with the person, function or document that holds it.

Sample reporting line plan

Generated for: Maintenance Planner, told in Friday's stand-up that from next month the planning team reports into operations instead of engineering, nothing in writing, my current manager agreed two days from home and a scheduling course and neither is written anywhere, and I said in the room that it sounded fine

Write this down before you ask anything — What your last line agreed and never wrote down is held by nobody but you. An arrangement agreed with a person lives with that person, not with the post: it is lost to nobody's decision, just to nobody having written it down. Every step below costs nothing and commits you to nothing. Write down the exact words you were told, by whom, and when. List every arrangement agreed with your current manager that is written nowhere, with roughly when each was agreed. Note what you currently own that somebody has to sign off. Note the date the change is said to take effect. Say nothing yet, to anybody, about what you think it means.

The real one is written against what you were actually told, what your own line signs off today, and whatever your current manager actually agreed with you — and it never invents a structure, never tells you what the change says about you, never assesses either manager, and never asks anybody to honour anything. The opening of yours is free — no card, no account. One credit finishes it. See what a credit costs.

First one is free — no card needed.

Credits

— credits available

This is the part of your position that no document anywhere holds, and it’s the part that quietly doesn’t survive a change of line. An arrangement agreed with a personlives with that person, not with the post — it’s lost to nobody’s decision, just to nobody having written it down. Put down whatever was actually agreed, even roughly, and leave it blank if there isn’t any: a blank comes back as the thing to go and retrieve, never as an arrangement this page invented. Nothing here rules on whether any of it still stands or has gone, and nothing here asks anybody to honour it — what it does is re-record it, which is not the same as claiming it. An invented arrangement isn’t a weak sentence: it’s a claim about what somebody agreed, written by a stranger, handed to the person who’s now supposed to honour it.

Who owns a structure change — and who can actually tell you what the new line is expected to decide — is completely different at a 40-person firm and somewhere with a people team, a written policy and an org chart that gets published, so a sentence about the place is worth giving. It comes back as context for the routing, never as a description of how that employer runs reorganisations, what it usually does, or how likely anything is. No real name is needed and none goes into the draft.

These aren’t the same conversation, and which one you’re in decides what can usefully be asked and of whom. My new manager is someone I already work withis the one that goes most often unasked: working alongside someone isn’t the same as being managed by them, and what changes isn’t the relationship but what that person now decides. My line now sits further down the structureis where readers most reliably read a verdict into a fact about a chart — this won’t tell you it’s a demotion in substance, and it won’t tell you it means nothing either. It’s a dotted lineturns on something readers miss: two lines don’t divide a week between them, they multiply the number of people who can add to it. It’s already happened and nobody told meis the one people spend the whole note on the wrong subject — asking for confirmation isn’t a complaint about the handling, and it becomes one the moment the handling is mentioned.

This decides which section gets written. What the new line actually decides is the only question here that has answers, and it gets answered with reassurance unless you ask it as a list: decisions attach to a post, not to a person, so every useful question is about what gets decided by whom. Get what my old manager agreed recorded againis where the shape of the note decides everything — the one that works says what you’ve been working to and asks whether it still holds; the one that fails says what you’re owed, and invites a ruling from somebody who wasn’t there. Get it confirmed in writing is the cheapest thing here and keeps every option open. The first conversationis where people prepare for the wrong thing: it’s for establishing what the post owns, not for making an impression, and the version that goes badly is the one where somebody arrives with a pitch about themselves.

Give both halves, because they do different work: what you’ve been told— when, by whom, in what form, what words were used, what date it takes effect — and what has happened since: whether anything is in writing, whether a chart or a calendar invitation has appeared, what you said back. The most useful thing you can record is what your current line actually signs off today, because that’s the list the questions get built from. No name is needed and none goes into the draft: not the manager you’re leaving, not the one you’re getting, not whoever announced it, not HR, not whoever drew the structure — a view about an individual, written down, is the one sentence in this whole exchange that can’t be taken back. Nothing here tells you what the change says about your standing, in either direction; nothing rules on whether what your old manager agreed still stands; and nothing states what a reorganisation, a matrix or a dotted-line arrangement provides or whether you can object. Those go to your own written terms, to your employer’s own written policy, to a representative where one exists, and to somebody qualified where you live. We never invent a fact about the structure, so anything you don’t supply comes back as a bracketed placeholder telling you who to ask. And nothing here writes a case against the new line, a request to be moved back, a private appeal to your old manager, a grievance or a legal threat — nor raises pay, a grade or a title, which is the first place readers reach when the line changes and the fastest way to lose the description.

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